Elisabeth Vigee Lebrun's Humanization of Marie Attionette Research Paper

Elisabeth Vigee Lebruns Humanization of Marie Attionette - Research Paper ExampleLe Brun is the Queens confidant ii. Le Brun attempted to save Marie Antoinette from guillotine through propaganda letters and portraits IV. Marie Antoinettes Portraits by Le Brun An Average Woman i. Marie Antoinette en chemise ii. Marie Antoinette and Her Children V. Conclusion Elisabeth Vigee Le Bruns Humanization of Marie Antoinette founding Eighteenth Century Europe is no place for a woman. Ranging from ruling the household to ruling the state, custody had become beings of ultimate idealism that it overshadowed the importance of women. In a time and space where men atomic number 18 kings, it is notable to recognize two women who made their mark in history and found intimacy in friendship despite the disparity of their kindly status. It was art why the painter Elisabeth Vigee Le Brun and the French monarch Marie Antoinette gained a close relationship and saw from each one other not according to their social roles, but women who have equal needs and challenges, in that male-dominant society they have to endure especially for Elisabeths part, she humanized Marie Antoinette through the portraits she made for her and the genuine friendship she had established with her. Le Brun and Marie Antoinette Meeting of Two Worlds Elisabeth Vigee Le Brun came from a humble family of artists, and having inherited her fathers talent, she embarked a road less traveled by women in her time painting. Being unique and creative in her style, she was initially rejected by the artists community. It was not until 1776 when she at long last had her opportunity of becoming a full-fledged artist, when she was summoned to make a portrait of the then Queen of France, Marie Antoinette (Bietoletti 76). Although Le Brun noted that she was intimidated by the queen, she was able to diminish this feeling through Marie Antoinettes grace and benignity towards her, perhaps because they were of the same age (Raf ter). On the other hand is a French monarch who was know of her stylish, beautiful and admirable countenance, Queen Marie Antoinette. Tracing back to her roots, she was basically a foreigner and her marriage with Louis sixteen was part of a peace-making strategy of her native land Austria and its eternal rival, France. However, the purpose was not fulfilled to its fullest, and or else of reconciling the two nations, the Queen always had an awkward situation with the rest of the French royal family and genuine tensions and suspicions among them (Goodman 4). In Marie Antoinettes tumultuary political life and social stature, she became at least an ordinary woman, with the help of her formalized portraitist Elisabeth Vigee Le Brun. Imprisoned by the standards of a typical French monarch, Le Brun released her from the bars by seeing through her more than that of the Kings wife, but first of all, a mother and a woman, just like her. Le Bruns Friendship to Marie Antoinette As stated pre viously, Le Brun and Marie Antoinette crossed each others path when the painter was ordered to paint the French queen. On that day, they were able to establish a relaxed emotional connection which soon became a close